Monday, June 22, 2009

I'm shaping up, (shaping up?) for the ACT Salsa Championships which will be held in Canberra on Saturday July 11, 2009. The event is a qualifier for the best performing couple in a category for the Australian Salsa Classic 2009 (Championships).

The state/territory events are organised and run around the country with the big event The Australian Salsa Classic on show in Sydney 28-29-30 of August. Winning this, then qualifies the couple for the ESPN World Championships to be held in Las Vegas all expenses paid. Shite, there is money to be had in dance!

Dance competition which is a sport has, unlike martial arts comps unique peculiarities (challenges) one of which is, you are in close proximity with a dance partner. That close proximity generates tensions that must be addressed in order to be successful. But there are other factors as well.

What are some of those challenges/factors?

First of all like all sporting competitions, being familiar with the rules is non negotiable. You MUST be aware of the rules and what the judges will be looking for in order to maximise your chances of winning a place.

If you select the wrong piece of music, then creating choreography can be a nightmare. By selecting the right piece that both you and your dance partner like, will go a long way to not only enjoying the music but also enjoy the process of creativity which of course is your choreography. Dancing should be fun right? But it’s also about providing a show that is entertaining to the audience and the judges. If your routine is all of that, then you have seriously intimidated the other competitors!

You must also leave yourself enough time to create the choreography before the event. Doh! This seems obvious but you would be surprised how late in the piece a lot of dance partners leave this and then decide. It’s a no brainer then to realise how much tension and frustration is generated because time is rapidly running out and hence how unprepared you are or will be in fact. Unless both of you are pro's and have 8 hours a day to spare for practice, then leave plenty of weeks or even months ahead of you for a polished product.

I mentioned earlier, the tension that is generated when in close proximity with your dance partner. This could be as simple as bad BO (body odour!) but all jokes aside no matter how much you both connect with each other, it will be an extremely rare couple to experience no tension at all during the course of training.

Some of that tension could be things like: musical interpretation, timing with the music, technique and styling and even what costume to wear. Blockage, meaning that you've hit a spot in the music and no ideas are being generated for choreography and even feeling sore and tired. Sometimes, frustration can occur with a dance partner in the sense they have more experience than you and therefore feel they 'carry' you over the course of training. Another source of frustration could be that one person in the couple is more committed...

How to generate success.

Having had a lot of experience in martial competitions, I believe it’s important to find 'triggers' in yourself that will allow you to relax and thus to perform better. It goes without saying that half the battle is won if you are thoroughly prepared. The trigger or triggers that I am referring to are ideas, beliefs, attitudes or rituals that you might use to help prepare yourself for the big day - the other 50%

A concrete example for me (and I realise this is a bit silly but hey it worked!) is that when I started competing in martial arts, I ALWAYS competed unshaved. My results were nothing to write home about. I then decided after a few years to thoroughly groom myself and lo and behold, I started to win. Of course it could be argued that over the course of a few years, i got better at skill but I have no doubt in my mind whatsoever that being clean shaven, for some weird reason helped me to sharpen up (pun intended!) and decimate the opposition. Perhaps this goes to the heart of the Samurai ethic that you should always wear clean underpants when preparing for battle...

Another concrete example is taken from Slim the Hammerman. This bloke is a master at breaking chains and leveraging sledgehammers. In order to successfully break himself out of the chains that were binding him and to leverage the hammer (incredible feats of strength mind you) he ALWAYS approached the feat in the same manner by taking the same steps and swinging the chain 3 times and never altering once. This worked for him.

To conclude, keep the following in mind: prepare yourself thoroughly so as to be 100% ready for the competition. This will give you a 50% chance in taking out the top spot. Unlike the lotto, these are good odds. Find yourself a method that will allow you to relax and to be comfortable and confident and therefore to further increase the odds to your favour. My method was to be clean shaven; the Hammerman’s was to approach his strength feat without altering his steps. Find your method and stick to it.

Thursday, March 26, 2009

Winning Ways

How can an athlete minimise the *luck* factor when they are preparing for competition and when in actual competition? Is approaching competition like flicking a coin and calling heads or tails and hoping the right side will come up? For some it is, who simply don’t know better but for others… read below :)

By good preparation, period. The answer to the question is pretty simple however, the actual preparation and training is not so simple.

In July 2006 on the Gold Coast, Australia, the World All Styles Championships (WASO) kicked off. This event comes around every 4 years with the next one scheduled for 2010 in London. It’s pretty big with over a thousand competitors competing in different categories like points sparring, continuous sparring, forms and weapons forms as well as synchronised forms. Many different styles of martial arts are represented like kung fu, taekwon do, karate, free style, Jiu Jitsu etc. It’s an eye opener to see so many under the one roof and its pretty cool too!

The division that I competed in was the Veterans Division, 35 years and over (I was 39 at the
time) and in two events, the Forms event and the Points fighting event. Both events had over a hundred competitors in each. So it was huge. I won the forms event by a good margin and I lost the final bout in the points fighting 3 points to 4 to a very good leg technician thus coming second. It was oh so close!

In the same year in December, I competed in the Australian National All Styles Championsips (NAS) and also took out the forms division however; I didn't compete in the points division. I also competed in my local area, the Canberra, ACT NAS Championships where I took out the points and forms of the open black belt division as well as the veterans forms and points divisions respectively. It was a bumper year and exhausting one but also hugely rewarding.

My background in the martial arts began in karate at the age of 16yrs and i hold a sandan or 3rd dan black belt. In the early years, training was constant and sporadic simply because I was a younger bloke and other interests held me in check. As I got older, then the karate
fascination/obsession took over and training was a constant 3 times per week at 2 hours per training session. Training followed the 'big three' traditional format of kata (forms), kumite (fighting) and its variations like freestyle, single step and 3-step sparring as well as combination fighting drills with footwork, kicking, blocking, punching, offensive and defensive drills. The final of the big three was kihon which is your basic technical drills in technique training. In many ways, kihon is the hardest to do in terms of mental concentration and physical exertion because it forms a very important layer in ones training. It develops a very solid foundation from which an ever increasing complexity in technique training drills can be performed. Without a solid background in kihon (your basic technique) then you have 'buckleys chance' of getting the complex stuff right. You even have a greater chance of buckling under pressure if faced with a threatening situation out on the street. Kihon is very important. This holds true of other martial arts as well as sports. Get your basic technique right and constantly practice and refine it. I can't stress that enough!

One of the highlights in my martial training was writing to Sensei Sadaharu Fujimoto, 9th Dan and asking for permission to head over to Tokyo, Japan and experience two weeks worth of training with him. That was in 1992 and amazing. He was kind enough to write back to me in person and the letter I received from him was delicate rice paper welcoming me as well as training times and location of the dojo (training studio).

I had heard a lot about Fujimoto Sensei and his accomplishments. He had been the Coach of the National Japanese Team and he also held high level dan ranks in Judo as well as Iado which is the art of drawing and cutting with the sword. He was also an accomplished tamashiwari (breaking) expert. He would smash bricks, boards, cement blocks with his hands and feet and also drive his fingers in a spear fashion through free standing wooden boards and apples completely breaking the boards in half and shearing the apple in two pieces. It was quite incredible to witness these feats and I have fond memories of them as well as his kindness in welcoming me into his training fold. I remember the first time I met him, I shook hands with him and what struck me (no pun indented) was how incredibly muscular his hands were and the incredible grip strength he displayed. It was quite frightening to a young man of 25yrs but also fascinating. You can view Fujimoto Sensei in action in the old documentary Budo: The Art of Killing. Do a search in Google.

My apologies as I've digressed. I simply wanted to give you my background experience otherwise you might accuse me of being a charlatan, so back to minimising the luck factor when it comes to competition.

In addition to the 3 times a week training I described above, the other type of training that i did was specialised in order to prepare myself for the WASO. I trained short sharp sessions in the mornings before work no longer than 45mins as well as trained ballistic shock lifts in order to increase my strength, maximise my speed and reaction timing in the afternoons after work on the non karate days. This type of specialised training began about 4 months prior to the WASO event in July and followed a simple approach of light, medium and hard training sessions. Of course I used common sense (I listened to my body!) to rest up when I felt fatigued rather than jump in and train anyway. Rest and recuperation is so important that a lot athletes neglect this one area of their training. It is balances the athletes economic fitness sheet with pure and simple rest. I completely agree in an old blog post of Scott Sonnon where he says and I quote "most fighters stink in their performance due to over training". You can view his post at http://www.rmaxinternational.com/flowcoach/?p=69

A book that holds a special place for me is Professor Emeritus Patrick O'Shea in his book
Quantum Strength Fitness II: Gaining the Winning Edge. The book may be purchased from Clarence Bass' site at http://www.cbass.com/ O'Shea's book is brilliant in that it touches on all aspects of strength related fitness but what aroused my interest was his Interval Weight Training protocol (IWT). It was this protocol that I used to maximise my chances of not only coming within striking distance but in actually winning the championships and hence why the book is so dear to me. I refer to it all the time because the information it contains is gold. I urge you to pick up a copy.

His IWT comprises of 2 phases whereby Phase 1 has 2 cycles and Phase 2 has 1 cycle. O'Shea gives examples of exercises when describing the cycles and I simply changed the exercises I felt were appropriate for martial comps. The key with IWT is that it takes the Tabata Protocol and magnifies it 100 fold, 1000 fold even! What this means is that Phase 1 is composed of two different athletic type lifts, in my case I chose the long cycle clean & jerk and the snatch corresponding to the 2 cycles in the phase respectively. The examples of the rep range of the lifts that O’Shea gives are around the 10 - 15rep ranges. In addition, as soon as a lift is finished, you immediately move onto your sport specific training for whatever length of time is appropriate. In my case, I did 3mins worth of shadow sparring to mimic the 3 minute bouts in the competition. The other key is that after the lift is performed, the sport specific exercise is performed at or near HR maximum. Each cycle is repeated for 2 to 3 rounds.

Phase 2 comprising of 1 cycle is composed of exercises designed to strengthen the body and while O'Shea gives examples, I simply chose the ones that I felt most appropriate. In this case I chose the 1 leg deadlift off a bessa brick which is an excellent exercise, the see - saw press and the pull ups. Performing a 1 leg deadlift off a height (in my case the brick was around 30cm high) is an exercise in total mind and body concentration simply because of the extra range of movement and balance required. I used 2 x 24kg KB for this exercise.

Here's then what the whole IWT exercise routine looked like:

Phase 1:-

Cycle 1
Round 1:-
Long Cycle Double Clean & Jerk 2x24kg KB for 10 reps
Immediately into 3mins worth of shadow sparring

rest 2mins

Round 2:-
Long Cycle Double Clean & Jerk 2x24kg KB for 10 reps
Immediately into 3mins worth of shadow sparring

rest 2mins

Round 3:-
Long Cycle Double Clean & Jerk 2x24kg KB for 10 reps
Immediately into 3mins worth of shadow sparring

rest 5mins

Cycle 2
Round 1:-
Double Snatch 2x16kg KB for 10reps
Immediately into 3mins worth of shadow sparring

rest 2mins

Round 2:-
Double Snatch 2x16kg KB for 10reps
Immediately into 3mins worth of shadow sparring

rest 2mins

Round 3:-
Double Snatch 2x16kg KB for 10reps
Immediately into 3mins worth of shadow sparring

rest 5mins

Phase 2:-
In a circuit fashion did 3 rounds of 5 reps

1 leg deadlift off a height 2x24kg KB by 5 reps
See Saw Press 2x24kg KB by 10reps
Pull Ups by 5 reps

I performed the IWT routine an average of 1 - 3 times per week depending on how I felt on top of full time work as well as other commitments. Its a tough workout and I believe I was probably the best conditioned or close to the best conditioned athlete there and it got me the results I was after. One aspect that I’ll mention again is that rest was very important to me and I average 8 – 9hrs of sleep every night.

Knowing what I know now (its important to continue learning!) would I go back and do it all again? My answer would be probably not. The training that I did was largely a Hard Style approach which fatigued me greatly and is what I knew at the time. I suspect that most in Australia followed the HS method. If I had a approached the IWT using the Girevoy Style approach, I believe my ability to recover and my work capacity would have been far superior but as they say, hindsight sux!

So getting back to minimising that luck: there is no need to flip that coin and hope for the best. A methodical approach with clear defined goals will get you your winning ways.

Workout Thursday 26th March, 2009

1 arm long cycle clean & jerk - continuous without stopping

40kg x 3reps left and right
32kg x 6 reps left and right
24kg x 12reps left and right
16kg x 20reps left and right
12kg x 30reps left and right. Wanted to get to 40reps in order to follow the doubling up effort
but was too fatigued.

rest 3mins

Tabata Snatches for 10mins using 16kg. Thats 20 sets of snatches and I was able to average out 10 snatches per 20sec set. Snatched out 200reps.

20sec on, 10sec off as per usual.

Total volume lifted in roughly 30mins = 5760kg

Tuesday, March 24, 2009

Meditation
I have always been interested in meditation and as a long time meditator, nearly 20 years of it has been an important element in my life.

I'm largely self taught and have practised a number of different meditation techniques over the years. Some are easier to do than others and involve to a more or less degree a relaxation in the stringency of breathing methods or don't require you to assume a full lotus for example. However, all require disciplined concentration.

No matter which meditatve technique you use, the object with repeated practise is to come to a realisation of awakening. The opposite to awakening of course is asleep however, not in the literal sense of being fast asleep in bed. A realisation of awakening is detachment from thoughts and emotions which leads to less suffering. We identify so closely with our thoughts that its easy to fall into that old trap of anger, depression, anxiety and hate. The function of these emotions is to cause us pain and suffering, so why on earth would anyone want that in their lives?

This is what it means to come to a realisation of awakening. We are asleep because we identify with our thoughts, our emotions and this sleep blinds us to what reality really is. We develop opinions based on our thoughts and our emotions and not necessaraly on facts. In his book Psycho Cybernetics, Author Dr Maxwell Malts, Phd gives an example (my words):

You are with a friend or in a relationship and your friend routinely breaths through his teeth after dinner the result of which is a high pitched whistling that annoys you greatly. You start thinking that he is doing this on purpose to deliberately annoy you. This is an opinion you have formed in your own head. You are annoyed, it is causing you pain and you wish that he would stop. You then start to resent him until finally you accuse him of deliberately annoying you, which he denies (and gets defensive about it) until eventually a full blown verbal exchange has reared its ugly head. Your opinion is that he is doing this on purpose however, the fact is that he is simply trying to clear out his teeth and was totally unaware of his actions. While 'asleep' we form an opinion that is not related to any fact. If we were awake, we could have simply asked him about the high pitched whistling and thus avoided a confrontation.

I want to emphasise here that being being detached doesn't mean not being involved in the everyday things that life brings us like going to work to make a living, being involved in projects or making love or neglecting our responsibilities. On the contrary, you fully engage and live that life to the fullest.

Brain Wave Entrainment and the Mind Body Connection
I first started experimenting with this piece of software technology in late 2005 when I discovered Transparent Corp's website: www.transparentcorp.com

There is actually 70 yrs of solid scientific research when it comes to inducing altered states of consciousnes with entrainment. Brain wave entraiment means that the brain responds to a stimulus whether that stimulus is auditory or photic or both.

We know that while awake and alert, our brains exhibit what are known as beta brain waves. These brain waves as produced by the brain, vibrate at a frequency of 12-20hz (cycles per second) . When we go to bed for sleep or on the couch, our brain waves slowly lower down to what is known as Alpha waves at a frequency of 6-10hz. As we continue to fall asleep, our brain waves fall further to the Theta level at 4-6hz until finally we fall asleep at the Delta level < 4 hz.

While the above description is somewhat simplistic, what is interesting to me is that science has identified several states that you can use to help you achieve specific goals. For example, Alpha brain waves are commonly associated with Creativity or Beta waves are commonly associated with IQ increase. And I used a specific entrainment goal to help me realise a 1st place and 2nd place win at the World All Styles Championships in 2006, Austrlia. It was pretty cool!

The idea of using a sports enhancement protocol via brain wave entrainment rests on the fact that peak performing athletes exhibit high levels of alpha waves meaning they are relaxed and yet very alert during their performance. They experience what is known as the 'zone' or flow effect and this is what the sports enhancement protocol is designed to do. It helps you to familiarize yourself in this state and then its reletavely easy to recreate the state while training or in competition.

The human brain can't really tell the difference between reality and fantasy and there is ample scientific evidence that has been conducted that shows this. This simply means that if you couple your physical training with visualising your performance can yield incredible results. This is nothing new of course and many top class elite athletes do this. Its also within reach for every man and woman not into competition who simply want to get better. The key with visualization however, is to visualize your performance in as perfect form as possible. What you want to do is to make the imagery in your mind as crystal clear as you possible can. Try and use all of your senses when visualising as this will increase the effect. In addition, try and visualize in the 3rd person as if you are watching a movie rather than behind your own eyes. Science can't explain it (or rather its not well understood) but it seems that when visualizing behind your own eyes, the effect is compromised because the mind treats it as a memory. When visualizing in the 3rd person, the effect is multiplied.

So, learn to visualize and reap the rewards this brings you. It may be difficult at first to develop clear mental imagery but with a little persistant effort, it will get easier.

Workout Tuesday 25, March 2009
Bent Press 32kg Ladder Method
Round 11rep left and right
2reps left and right
3reps left and right

Repeated for 2 more rounds all up 18reps left and right

Snatch 16kg Tabata method
20sec left, rest for 10sec 20sec right etc

5mins = 10setsManaged 10 reps per set all up 100reps in 5mins. HR shot to 175beats/min. Next time i'll try and get a 10min tabata and see if i can pull out 200reps.

Rested 2mins then did a descending snatch routine without stopping popularised by Steve Maxwell several years ago. Again with the 16kg.

20reps left then 20reps right
15reps left then 15reps right
10reps left then 10reps right
5reps left then 5reps right

All up 100 reps. Interestingly, took me 5 mins to complete.

Total volume lifted = 3776kg

Total training time = 30mins with the bulk of the time spent bent pressing. Its a great exercise!

Monday, March 9, 2009

There is Freedom in Steps

When I look at salsa dancers, good salsa dancers or dance in general, I see extraordinary freedom of movement. That amazes me until i realise the effort that was taken to achieve that freedom. It then amazes me even more. Freedom then is achieved from the brain to the extremities.

Allow me to explain.

What does it take to achieve that freedom? What level of commitment is required? And does one want to be free?

When I observe beginners signing up to a 10-week term of salsa, I see nervousness, excitement and trepidation. Their first steps are painfully slow and agonised. Body movement is stiff and awkward and there are many shy, embarrassed looks. These people aren’t free, they are tortured! But it’s all good, really :)

Teaching is conducted slowly and the progress of the students is gradual. Moving too fast can result in frustration which leads of course to loss of students. Teaching too slowly can also result in loss of students since there may be others that learn quickly. So you don't want that. Strike a balance.

Getting back however, to that word freedom: I like it and depending on which dictionary you consult, one of its definitions is independence which is another word that i like.

Learning begins from the brain to the extremities. What this means is that as you observe an action that is being taught and you are asked to perform that action, you most likely will experience frustration because the step or movement appears to be hard. It IS in fact hard! Your brain will be telling you, 'yes i know how to do the movement' but your body (extremities) is simply not complying.

The key then is careful observation of the instructor in action and repetition. Repetition so that the extremities can catch up to the brain, so that the extremities develop 'muscle memory'.

Depending on how much practice one puts forth will dictate how quickly you achieve that freedom. Let me slow down at this point. Your probably asking yourself: 'ok ive learnt the steps, Ive learnt how to isolate various parts of my body and I’ve learnt to move in that 'salsa fashion'. Where then is my freedom?

Ah, good question! You see, freedom/independence is achieved WHITHIN those narrow confines of steps that you learnt in that basic first term. Its an amazing feeling performing movement that has been formally taught to you and to then express that movement within your own parameters, your own individual creativity (I don't want to say 'expressing your self'), your own character. It can only get better.

So to answer those 3 questions at the beginning of this post: there is definitely a ratio of commitment/effort coupled with time to achieving freedom within salsa. As to 'does one want to be free?’ Of course!

Thursday, February 26, 2009

What is Coaching?

in relation to coaching, I came across a blog article at http://www.americankettlebellclub.com/ where the writer was describing his experience of kettlebell training or Girevoy Sport (GS) just outside of Athens, Greece in the town of Loutraki some time last year. a coaching clinic was held and participants had travelled from all over the world. this particular writer is a Yank.

he talks about the incredible levels of strength that the athletes had achieved under the tutelage of a particular coach Pandelis Filikides. the athletes ranged in age from early teens right through to ages of 60 and above.

but one item caught my attention whereby Coach Filikides asks the participants a question 'What is coaching?'. i feel this is a very relevant question not the least of which is that i have enrolled in a Bachelor in Sports Coaching Science! anyway, answers ranged all over the place but his answer was stunning in its simplicity 'to build better athletes'. he goes on further to say that as a coach, if you are not building athletes to be world champions, then you are not coaching. is this an extreme view? does it hold true as well for the weekend warrior not interested in being a world champion? i would like to explore this in some detail further below.

so what does that actually mean to me when/if i graduate? clearly, amongst the hundreds if not thousands of coaches in this big wide world, not every coach produces a champion and if they are not building champions then what are they doing? are they coaching? how then does a coach go about building a better athlete and ultimately, a world champion?

the Australian Oxford Dictionary defines an athlete as 'a person who is good at athletics'. athletics is defined as 'physical exercises and sports especially competitions involved in running, jumping etc'. the Macquarie Dictionary goes a little further and defines athletics as 'the practice of athletic exercises; the principles of athletic training' the 'practice of athletic sports such as running, rowing, boxing' but then curiously says 'track and field events only'.

the definition of a coach according the Australian Oxford Dictionary is 'an instructor in sports'. the Macquarie defines this as 'a person who trains athletes for games, a contest, etc'.
armed then with this knowledge of what a coach is and what an athlete is and how the two are related (or a coach and a team as the case may be), is it necessary to build a world champion team or an athlete? if you are employed as a coach to a local/state/national team etc, then the answer is a resounding yes. what then do we make of coaches employed to national teams for several years at a time 'building better athletes/teams' who consistently take the wooden spoon!
on the other hand, if you are coaching in a role whereby you are teaching a 'weekend warrior' who has no ambitions to be a world champion, (you may or may not be paid for this) then the definition alters. to my mind the term 'athletic potential' is far better suited here and i would define this as the weekend warrior achieving their athletic potential by becoming that little bit quicker, more flexible, a little stronger, less prone to injury and so on.

so then arriving full circle, i believe Coach Filikides' statement holds true for both the elite athlete and the weekend warrior but with a caveat, one you are building better athletes and teams to be world champions in a paid role at the state, national and international level otherwise what is the point? two where you build better athletes for weekend warriors to realise their athletic potential.